Pierrot and His World: Art, Theatricality, and the Marketplace in France, 16971945
By (Author) Marika Takanishi Knowles
Manchester University Press
Manchester University Press
1st February 2024
United Kingdom
General
Non Fiction
Theatre studies
Film history, theory or criticism
Photography: portraits and self-portraiture
704.94
Hardback
264
Width 156mm, Height 234mm, Spine 22mm
701g
Pierrot, a theatrical stock character known by his distinctive costume of loose white tunic and trousers, is a ubiquitous figure in French art and culture. This richly illustrated book offers an account of Pierrots recurrence in painting, printmaking, photography and film, tracing this distinctive type from the art of Antoine Watteau to the cinema of Occupied France. As a visual type, Pierrot thrives at the intersection of theatrical and marketplace practices. From Watteaus Pierrot (c. 1720) and douard Manets The Old Musician (1862) to Nadar and Adrien Tournachons Pierrot the Photographer (1855) and the landmark film Children of Paradise (1945), Pierrot has given artists a medium through which to explore the marketplace as a form for both social life and creative practice. Simultaneously a human figure and a theatrical mask, Pierrot elicits artistic reflection on the representation of personality in the marketplace.
Marika Takanishi Knowles is a Senior Lecturer in Art History at the University of St Andrews