Pollock: One: Number 31, 1950
By (Author) Charles Stuckey
Museum of Modern Art
Museum of Modern Art
5th September 2013
United States
General
Non Fiction
Individual artists, art monographs
Paintings and painting
759.13
Paperback
48
Width 185mm, Height 230mm
220g
In the late 1940s, Jackson Pollock, now recognized as one of the most important Abstract Expressionist artists, began experimenting with a new method of painting that involved dripping, flinging and pouring paint onto a canvas laid flat on the ground. This process engaged his entire body, and the resulting images were a direct index of the energy he expended to create these works. One: Number 31 (1950), among the largest of the paintings he produced by this method, is a virtuoso showcase of his mastery of materials and technique. In this volume of the MoMA One on One series, a lively essay by former museum curator and professor Charles Stuckey offers an in-depth exploration of the painting, one of many groundbreaking works by Pollock in MoMA's collection.