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Raphael

(Hardback)


Publishing Details

Full Title:

Raphael

Contributors:

By (Author) Christof Thoenes

ISBN:

9783836532426

Series:
Publisher:

Taschen GmbH

Imprint:

Taschen GmbH

Publication Date:

12th June 2016

UK Publication Date:

2nd January 2020

Country:

Germany

Classifications

Readership:

General

Fiction/Non-fiction:

Non Fiction

Main Subject:
Other Subjects:

Individual artists, art monographs

Dewey:

759.5

Physical Properties

Physical Format:

Hardback

Number of Pages:

96

Dimensions:

Width 210mm, Height 260mm

Weight:

564g

Description

In art history, we tend to be on first name terms only with the most revered of masters. The Renaissance painter and architect Raphael Santi (1483-1520) is one such star. The man we call simply Raphael has for centuries been hailed as a supreme Renaissance artist. For some, he even outstrips his equally famous, equally first-named, contemporaries, Leonardo and Michelangelo.

From 1500 to 1508, Raphael worked throughout central Italy, particularly in Florence where he secured his reputation as a painter of portraits and beautifully rendered Madonnas, archetypical icons within the Catholic faith. In 1508 he was summoned to Rome by Pope Julius II and later embarked on an ambitious mural scheme for the Stanza della Segnatura in the Vatican. Within this room, Raphael's The School of Athens is considered a paradigm of the High Renaissance, merging Classical philosophy with perfected perspectival space, animated figures, and a composition of majestic balance.

This essential introduction explores how in just two decades of work, Raphael painted his way to legendary greatness. With highlights from his prolific output, it presents the mastery of figures and forms that secured his place not only in the trinity of Renaissance luminaries but also among the most esteemed artists of all time.

Author Bio

Christof Thoenes (19282018) studied art history in Berlin and Pavia, before completing his doctorate in Berlin. Thoenes was Honorary Professor in Hamburg and worked many years for the Bibliotheca Hertziana (Max-Planck-Institute) in Rome. He contributed to numerous publications on Italian art, particularly on architecture and architectural theory of the 15th to 18th centuries.

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