Su Xiaobai
By (Author) Gao Minglu
By (author) Benjamin Alexander
By (author) John Rajchman
By (author) Baixi
Skira
Skira
1st December 2016
Italy
General
Non Fiction
Individual artists, art monographs
709.2
Hardback
368
Width 280mm, Height 300mm
2600g
An intimate look at paintings, objects, and installations by one of the most intriguing personalities on the contemporary Chinese art scene; a survey of the artist's oeuvre from 2007 to 2015. Su Xiaobai hails from a prominent generation of artists who left China in the wake of political and cultural experimentation in the 1980s. He adopted lacquer, a medium traditionally used by Chinese craftsmen, as his explorative means and fashioned a sensuous yet rigorous art practice that defies classification. Inspired but not constrained by Chinese artisanship and aesthetics, Su Xiaobai creates gargantuan compositions that speak, in a language informed by Western abstraction, the Buddhist mantra "All reality is a phantom; all phantoms are real." Luscious and mysterious, his body of work is defiantly sculptural yet exquisitely delivered-a constellation of extraordinary objects.
With a Ph.D. from Harvard University and a position as research professor in the Department of History of Art and Architecture at the University of Pittsburgh, Gao Minglu is a renowned critic, curator, and scholar of Chinese contemporary art since the mid-1980s. Benjamin Alexander is a philosopher and art critic.