The Arts at Black Mountain College
By (Author) Mary Emma Harris
MIT Press Ltd
MIT Press
15th March 2002
United States
Tertiary Education
Non Fiction
The arts: general topics
Higher education, tertiary education
700.71175688
Paperback
344
Width 241mm, Height 305mm, Spine 16mm
1315g
It was at Black Mountain College that Merce Cunningham formed his dance company, John Cage staged his first "happening," and Buckminster Fuller built his first dome. Although it lasted only 24 years (1933-1957) and enrolled fewer than 1,200 students, Black Mountain College launched a remarkable number of the artists who spearheaded the avant-garde in America of the 1960s. The faculty included such diverse talents as Anni and Josef Albers, Eric Bentley, Ilya Bolotowsky, Robert Creeley, Willem de Kooning, Robert Duncan, Lyonel Feininger, Paul Goodman, Walter Gropius, Franz Kline, Robert Motherwell, and Charles Olson. Among the students were Ruth Asawa, John Chamberlain, Francine du Plessix Gray, Kenneth Noland, Arthur Penn, Robert Rauschenberg, Kenneth Snelson, Cy Twombly, Stan Vanderbeek, and Jose Yglesias. In this account of the arts at Black Mountain College, Mary Emma Harris describes an educational experiment and the artists and writers who conducted it. She replaces the myth of the college as a haphazardly conceived venture with a portrait of a consciously directed liberal arts school that grew out of the progressive education movement. Proceeding chronologically through the four major periods of the college's history, Harris covers every aspect of its extraordinary curriculum in the visual, literary, and performing arts.
"Katz manages to evoke a world of cross-media artistic possibility that seems as vast as it was often joyous." Publisher's Weekly
Independent scholar Mary Emma Harris is Chair and Director of the Black Mountain College Project.