The Hidden Cezanne: From Sketchbook to Canvas

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This book examines the genesis Cezanne's great works took through his drawings and sketches. Like many artists, Paul Cezanne started his great paintings by sketching his ideas on paper. This book recreates some of Cezanne's sketchbooks as it delves into the Kunstmuseum Basel's collection of drawings by Cezanne-the most comprehensive and significant collection of the artist's drawings in the world. Rarely presented in exhibitions, these works introduce readers to the nucleus of Cezanne's creative thinking, allowing us to observe his everyday practice as a draftsman. Scenes of violence appear side by side with portrait sketches; copies after Eugene Delacroix or ancient sculptures alternate with landscapes and bathers. Repeated studies varying only slightly in perspective and angle help us understand how Cezanne strove to find the right approach to his subject. Featuring his drawings as well as his great paintings and accompanied by a series of essays that explore how Cezanne used his sketchbooks as preparation for landscapes, portraits, and still-lifes, this book offers fascinating insights into the creative process of a master. AUTHORS: Anita Haldemann is Interim Head of the Department of Prints and Drawings, Henrike Hans is a Research Associate, and Annegret Seger is a Conservator in the Department of Prints and Drawings at the Kunstmuseum Basel, Switzerland. Oskar Barschmann is a former Professor of Art History at the University of Bern, Switzerland. Fabienne Ruppen is an art historian. Richard Shiff is Effie Marie Cain Regents Chair in Art, and the Director of the Center for the Study of Modernism at the University of Texas. Matthew Simms is a Professor of Art History at California State University, Long Beach. Exhibition Itinerary: Kunstmuseum Basel, Switzerland June 10September 24, 2017 Published in association with Kunstmuseum Basel 360 colour illustrations

Author Bio

ANITA HALDEMANN is Interim Head of the Department of Prints and Drawings, HENRIKE HANS is a Research Associate, and ANNEGRET SEGER is a Conservator in the Department of Prints and Drawings at the Kunstmuseum Basel, Switzerland. OSKAR BA TSCHMANN is a former Professor of Art History at the University of Bern, Switzerland. FABIENNE RUPPEN is an art historian. RICHARD SHIFF is Effie Marie Cain Regents Chair in Art, and the Director of the Center for the Study of Modernism at the University of Texas. MATTHEW SIMMS is a Professor of Art History at California State University, Long Beach.