The Last Leonardo: A Masterpiece, A Mystery and the Dirty World of Art
By (Author) Ben Lewis
HarperCollins Publishers
William Collins
17th August 2020
16th April 2020
United Kingdom
General
Non Fiction
Biography: arts and entertainment
759.5
Paperback
416
Width 129mm, Height 198mm, Spine 28mm
330g
In 2017 the Salvator Mundi was sold at auction for $450m. But is it a real da Vinci In a thrilling narrative built on formidable research, Ben Lewis tracks the extraordinary journey of a masterpiece lost and found, lied and fought over across the centuries.
In 2017, Leonardo da Vincis small oil painting, the Salvator Mundi was sold at auction for $450m. In the words of its discoverer, the image of Christ as saviour of the world is the rarest thing on the planet by the greatest human being who ever lived. Its dazzling price also makes it the worlds most expensive painting.
For two centuries art dealers had searched in vain for the Holy Grail of art history: a portrait of Christ as the Salvator Mundi by Leonardo da Vinci. Many similar paintings of greatly varying quality had been executed by Leonardos assistants in the first half of the sixteenth century. But where was the original by the master himself
In November 2017, Christies auction house announced they had it. But did they The Last Leonardo tells a thrilling tale of a spellbinding icon invested with the power to make or break the reputations of scholars, billionaires, kings and sheikhs. Lewis takes us to Leonardos studio in Renaissance Italy; to the court of Charles I and the English Civil War; to Holland, Moscow and Louisiana; to the galleries, salerooms and restorers workshop as the painting slowly, painstakingly, emerged from obscurity. The vicissitudes of the highly secretive art market are charted across five centuries. It is a twisting tale of geniuses and oligarchs, double-crossings and disappearances, where were never quite certain what to believe. Above all, it is an adventure story about the search for lost treasure, and a quest for the truth.
'The story of the worlds most expensive painting is narrated with great gusto and formidably researched detail.' Charles Nicholl, Guardian
'Forensically detailed and gripping investigation into the history, discovery and sales of the painting Through his fascinating and persuasive account, Lewis remains balanced; the Salvator Mundi might be exactly what its supporters claim it to be, even though it sits in "a pool of theories, surrounded by a tangle of conjecture, suspended from a geometry of clues".' Sunday Times
A page-turning tale about the most expensive painting of all time. Its a story populated by characters straight out of a thriller: the soft-spoken but ambitious art dealer, the Russian oligarch in the middle of a messy divorce, the shadowy Swiss storage king who sidelines as a dealer, the Saudi prince eager to polish his reputation with a cleansing spritz of high art. Mr. Lewis interweaves the many threads of an intricate tale into the story of the dramatic restoration, sale and resale of the Salvator Mundi. Wall Street Journal
As Lewis chronicles the quest to attribute the painting to da Vinci, he uncovers an astoundingly dysfunctional world of museums, galleries, auction houses, collectors a Russian oligarch and a Saudi prince among them Art, greed, and stealth make for a lively tale of intrigue. Kirkus
Lewis portrait of the artist-engineer as a dreamer, a doodler, and a dawdler, is refreshingly compelling Lively and ultimately sinister sketches from over the centuries amount to the Salvator Mundis provenance A deliciously detailed, satisfying book, that is simultaneously a call for change. Irish Times
Praise for Hammer and Tickle:
Ben Lewis's book celebrates the brilliance with which jokes exposed the gulf between the Soviet ideal and its brutal reality Sunday Telegraph
There is a laugh on every page John Suchet, Sunday Express
Ben Lewis is an award-winning documentary filmmaker, television presenter, author and art critic, who has specialized in the art world, art market and history of art for twenty years. He has written about art for Prospect Magazine, the Evening Standard, the Observerand The Times to Liberation and Die Welt. Lewis has contributed to documentary films such as The Great Contemporary Art Bubble, A Bankers Guide to Art and my television series Art Safari. He is the author of Hammer and Tickle.