The Place of Objects: The John David Lawrence Collection

(Paperback)

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An eclectically curated collection reveals a kaleidoscopic portrait of the many and diverse talents working in and around BC's art scene over the past forty years.

As a musician, performer, activist, collector, John David Lawrence has long held an important, if underrecognized, position in Vancouver's creative community. After settling in the city in the mid-1980s he participated in and advocated for performance spaces and artist-run centres, building deep roots in the community, and since 2000 he has been the proprietor of DoDa Antiques. Over several decades, Lawrence amassed an idiosyncratic personal collection that includes ceramics, Indigenous art, jewelry, folk art, photography, and plant life. Through the stories of some of these pieces and of Lawrence himself, as well as extensive new photography of his holdings, The Place of Objects illuminates the rich cultural production that is often overlooked by Vancouver's established artistic community.

Released to coincide with a Vancouver Art Gallery exhibition of 300 ceramic works from Lawrence's collection, The Place of Objects opens with an engrossing conversation between scholar Dr. Michael J. Prokopow and Lawrence that uses specific objects and the diverse areas of his collections to reveal Lawrence's enigmatic biography and ponder the broader cultural obsession with things. The second half of the book features texts by artists, scholars, friends, and curators who highlight objects of art with historical, cultural, or personal significance. The publication also includes a visual index-a two-dimensional genogram of the objects in his collection-to map the tentacular threads that have informed Lawrence's collecting practices over the decades.

Contributors:

Glenn Alteen, Daina Augaitis, Nicholas Bell, Allan Collier, Diana Freundl, Donna Hagerman, Richard Hill, Mandy Ginson, Jenn Jackson, Diane Jillings, Hilary Letwin, Carol Mayer, Siobhan McCracken Nixon, Edmond Melnychuk, Michael J. Prokopow, Esther Rausenberg, Stephanie Rebick, among others.

Artists:

Mollie Carter, John Charnetski, Stanley Clarke, Hans Coper, Olea Davis, Walter Dexter, Beau Dick, Denny Dixon, Pat Dixon, Sandra Dolph, Axel Ebring, Gathie Falk, Ken Foster, Ken Gerberick, Herta Gerz, Kathleen Hamilton, Frances Hatfield, Richard Hawbolt, Michael Henry, Gillian Hodge, Robin Hopper, Ben Houstie, Henry Hunt, Gordon Hutchens, Avery Huyghe, Tam Irving, Elsie John, Charmian Johnson, Thomas Kakinuma, Bob Kingsmill, Zoltan Kiss, Roy Kiyooka, Zeljko Kujundzic, Sam Kwan, Corey Larocque, Heinz Laffin, David Lambert, Laura Wee Ly Lq, Bernard Leach, Janet Leach, Glenn Lewis, Luke Lindoe, Des Loan, Brian Lynch, Mad Dog, Edmond Melnychuk, Grace Melvyn, Joseph Mihalic, Santo Mignosa, Carel Moiseiwitsch, Ellen Neel, Gailan Ngan, Wayne Ngan, Oraf, Leonard Osborne, Mary Osborne, Davide Pan, Randy Pandora, Bill Reid, John Reeve, Bill Rennie, Hilda Ross, Debra Sloan, Russell Smith, Ian Steele, Roger Stribley, Gordon Thorlaksson, Ron Tribe, Hiro Urakami, Jan Wade, Jean Marie Weakland, among others.

Author Bio

Dr. Michael J. Prokopow is a cultural historian and curator whose areas of expertise include material and visual culture, design history, and critical and cultural theory. His many publications include, most recently, Reside: Contemporary West Coast Houses (Figure 1, 2024), Hurvin Anderson (Lund Humphries, 2021) and Smith House II (UBC-SALA Press, 2018). From 2004 to 2008 he was curator of the Design Exchange, Canada's only museum of twentieth-century industrial design. In 2016 he co-curated the touring Gardiner Museum exhibition (and accompanying catalogue) True Nordic: How Scandinavia Influenced Design in Canada. He sits on the boards of the Arthur Erickson Foundation and the Nathaniel Dett Chorale, and he is a regular contributor to Studio: Craft and Design in Canada. He holds a PhD from Harvard University and is a member of the Faculty of Arts and Sciences at OCAD University in Toronto. Stephanie Rebick is a curator, editor, writer, Director of Publishing and Content Strategy at the Vancouver Art Gallery, and frequent collaborator with Information Office, a Vancouver-based art book publisher and design practice. Rebick has curated and co-curated numerous exhibitions, including Fashion Fictions; Where do we go from here; Modern in the Making: Post-War Craft and Design in British Columbia; Robert Rauschenberg 19651980; Out of Sight; Guo Pei: Couture Beyond; Cabin Fever; MashUp: The Birth of Modern Culture; and Grand Hotel: Redesigning Modern Life. She has contributed to a number of publications, including MashUp: The Birth of Modern Culture (Vancouver Art Gallery and Black Dog, 2016), Grand Hotel: Redesigning Modern Life (Vancouver Art Gallery and Hatje Cantz, 2013), Unreal ((Vancouver Art Gallery, 2010), Visceral Bodies (Vancouver Art Gallery, 2010), and KRAZY! The Delirious World of Anime + Comics + Video Games + Art (Douglas & McIntyre, 2008). Most recently she has edited volumes on the work of Jan Wade and Omer Arbel. Her curatorial interests include visual culture, new media, and the intersection of craft, design and contemporary art.