Available Formats
The Stakes of Exposure: Anxious Bodies in Postwar Japanese Art
By (Author) Namiko Kunimoto
University of Minnesota Press
University of Minnesota Press
1st June 2017
United States
General
Non Fiction
709.5209045
Hardback
288
Width 191mm, Height 267mm, Spine 38mm
Namiko Kunimoto explores art, visual culture, and politics in postwar Japan from the 1950s to the 1970s, examining how anxiety and confusion surrounding Japan's new democracy manifested in representations of gender and nationhood in modern art. Offering many previously unpublished full-color illustrations, Kunimoto shows how contention over Japan's new democracy was expressed, disavowed, and reimagined through representations of the gendered body.
"Kunimotos manuscript is exactly what the field of Japanese postwar art needs at this time."Alicia Volk
"Eschewing group-centric approaches, The Stakes of Exposure focuses on four artists whose aesthetic politics figure postwar bodies in struggle, vulnerability, desire, and connection. Namiko Kunimoto's analysis navigates between history, historical art literature, and theoretical touchstones through her lucid readings."William Marotti, UCLA
"A significant contribution to Japanese art and scholarship published in English."CHOICE
"Kunimotos attention to how the gendered body resonated with gendered narratives about society and the nation is an important contribution. Kunimoto offers close readings of the works of Hiroshi Nakamura, Yuki Katsura, Atsuko Tanaka and Kazuo Shiraga to illuminate the responses to shifting ideas about political subjectivity in postwar Japan."The Japan Times
"Kunimoto strategically situates her study between the disciplines of history and art history, opening new lines of inquiry into postwar Japan and, at the same time, challenging many of the underlying assumptions that have informed political and art histories of this period."Pacific Historical Review
"The Stakes of Exposure: Anxious Bodies in Postwar Japanese Art, by art historian Namiko Kunimoto, provides monographic essays on four artists active from the 1930s to the 1970sYuki Katsura, Hiroshi Nakamura, Atsuko Tanaka and Kazuo Shiragaand describes a postwar period of national anxiety that produced new conceptions of gender and nationhood."Art Asia Pacific
Namiko Kunimoto is assistant professor of art history at The Ohio State University.