Transformations in Late Eighteenth-Century Art
By (Author) Robert Rosenblum
Princeton University Press
Princeton University Press
4th January 1971
United States
Professional and Scholarly
Non Fiction
Theory of art
709.033
Paperback
344
Width 152mm, Height 235mm
510g
Rosenblum's classic essays on the art and architecture of this transformational period in modern artnow available in paperback for a new generation of readers
The importance of the late eighteenth century in the genesis of modern art emerges in these four essays on various aspects of the art and architecture of a neglected period. Written by the author of Cubism and Twentieth Century Art, the essays take a Cubist view of these crucial decades of transition, a view that constantly shifts its vantage point and moves freely from one nation and one medium to another. Such diverse matters as the emotional and stylistic flexibility of Neoclassicism, the emergence of Historicism, the rapport between politics and the new moralizing art, and the search for a radical formal purity are considered. Many works of art previously unpublished, and sometimes even unphotographed, make their first appearance here.
"Exceptional in the acuity of its perceptions and the lucidity of its style, Rosenblum's volume of essays is a signal contribution to the understanding and enjoyment of late eighteenth-century art."--Journal of Aesthetics and Art Criticism
Robert Rosenblum (19272006) was professor of modern European art at New York Universitys Institute of Fine Arts and curator of twentieth-century art at the Guggenheim Museum. His books include The Dog in Art: From Rococo to Post-Modernism; Modern Painting and the Northern Romantic Tradition: Friedrich to Rothko; and Cubism and Twentieth Century Art.