Voyaging Out: British Women Artists From Suffrage to the Sixties
By (Author) Carolyn Trant
Thames & Hudson Ltd
Thames & Hudson Ltd
5th September 2019
5th September 2019
United Kingdom
General
Non Fiction
Gender studies: women and girls
704.0420941
Hardback
304
Width 153mm, Height 234mm
840g
Consider for a moment the history of modern art in Britain; you may struggle to land on a narrative that features very many women. On this journey through a fascinating period of social change, artist Carolyn Trant fills in some of the gaps in traditional art histories. Introducing the lives and works of a rich network of neglected women artists, Voyaging Out sets these alongside such renowned presences as Barbara Hepworth, Laura Knight and Winifred Nicholson. In an era of radical activism and great social and political change, women forged new relationships with art and its institutions. Such change was not without its challenges, and with acerbic wit Trant delves into the gendered make-up of the 'avant-garde', and the tyranny of artistic 'isms'.
Virginia Woolf's first novel The Voyage Out (1915) has her female heroine strive towards a realization of her sense of self, asking what being a woman might mean. In the decades after women won the vote in Britain, the fortunes of women artists were shaped by war, domesticity, continued oppressions and spirited resistance. Some succeeded in forging creative careers; others were thwarted by the odds stacked against them. Weaving devastating individual stories with playful critique, Voyaging Out reveals this hidden history.
'A wonderfully rich panorama of creative lives, by turns elegiac and celebratory. Truthful, practical and open-minded, Trants book points us in new directions' - Alexandra Harris
'Offers a powerful and important corrective to historical accounts that continue to draw on the same small pool of participants ... It was a pleasure to discover for the first time so many women artists overdue serious attention' - Times Literary Supplement
Carolyn Trant is an artist who was trained at the Slade, University College of London. She is the author of Art for Life: The Story of Peggy Angus and a contributor to The Cultural Life of Images.