West of Center: Art and the Counterculture Experiment in America, 19651977

(Paperback)

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In the heady and hallucinogenic days of the 1960s and 70s, a diverse range of artists and creative individuals based in the American Westfrom the Pacific coast to the Rocky Mountains and the Southwestbroke the barriers between art and lifestyle and embraced the new, hybrid sensibilities of the countercultural movement. Often created through radically collaborative artistic practices, such works as Paolo Soleris earth homes, the hand-built architecture of the Drop City and Libre communes, Yolanda Lpezs political posters, the multisensory movement workshops of Anna and Lawrence Halprin, and the immersive light shows and video-based work by the Ant Farm and Optic Nerve collectives were intended to generate new life patterns that pointed toward social and political emancipation.

In West of Center, Elissa Auther and Adam Lerner bring together a prominent group of scholars to elaborate the historical and artistic significance of these counterculture projects within the broader narrative of postwar American art, which skews heavily toward New Yorks avant-garde art scene. This west of center countercultural movement has typically been associated with psychedelic art, but the contributors to this book understand this as only one dimension of the larger, artistically oriented, socially based phenomenon. At the same time, they reveal the disciplinary, geographic, and theoretical biases and assumptions that have led to the dismissal of countercultural practices in the history of art and visual culture, and they detail how this form of cultural and political activity found its place in the West.

A companion to an exhibition originating at the Museum of Contemporary Art Denver, this book illuminates how, in the western United States, the countercultures unique integration of art practices, political action, and collaborative life activities serves as a linchpin connecting postwar and contemporary artistic endeavors.

Reviews

"West of Center is an overview of the rich and complicated countercultural moment when different artistic practices shared a belief in and dedication to alternative methods and materials. From Drop City to Anna and Lawrence Halprins workshops, from Paolo Soleri to Newton and Helen Harrisons ecological projects, this volume makes connections across disciplines and describes multi-faceted influences on the art of today." Chip Lord, Founder and partner with Ant Farm, 1968 - 1978

Author Bio

Elissa Auther is associate professor of contemporary art at the University of Colorado, Colorado Springs. She is the author of String, Felt, Thread: The Hierarchy of Art and Craft in American Art (Minnesota, 2010).

Adam Lerner is director of the Museum of Contemporary Art Denver and chief animator in the Department of Fabrications.

Lucy R. Lippard is an internationally known writer, activist, and curator. She is the author of eighteen books on contemporary art and has written art criticism for Art in America, The Village Voice, and Z Magazine, among other publications.