A Very Sacred Experience: Eli Bornstein's Arctic Journals, 1986 and 1987

(Hardback)

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A tribute to the Canadian North, a meditation on artistic creation, and a window onto the ideological musings of Canadas greatest Structurist artist.

In celebration of his 100thbirthday, Eli Bornstein, in collaboration with author and curator Roald Nasgaard, has published a stunning work of personal reflection on a most transformative time in his life and career.Eli Bornstein:Arctic Journals, 1986 and 1987is a tribute to the Canadian North, a meditation on artistic creation, and a window onto the ideological musings of Canadas greatest Structurist artist.
Devoid of the mythologizing other artists have given their writing on the North, Bornsteins journals are introspective, insightful, and sometimes funny. Comprised of personal journal entries from two northern trips he took with photographer Hans Dommaschalong with watercolour studies, Structurist reliefs, and a personal collection of poemsBornsteins work is a vital reminder of our outsized influence over the natural world and an invitation to recognize our need for nature in our life and in our art.
Bornstein's publication is the culmination of a lifes work on reconciling himself with nature and the understanding our very existence.

Author Bio

Eli Bornstein, artist, teacher, writer, publisher was born in Milwaukee, Wisconsin in 1922. Starting in the mid-1950s, while teaching art at the University of Saskatchewan, he became one of the leading practitioners of Structurist art, which evolved from his study of the Modernist tradition from Impressionism and Czanne and through to Russian Constructivism, and Mondrian. Although he builds his Structurist reliefs using the abstract language of colour and three-dimensional geometric form, they are dedicated to the study of nature and its biological processes. In 1960 he founded the internationally circulating periodical,The Structurist, published out of the University of Saskatchewan, to which he regularly contributed art historical and theoretical essays.The Structuristran for 50 years (Nos. 150, 19602010), with an anniversary issue (Nos. 51/52, 2019/2020). Over the years he has also completed major commissions for public art located in Saskatoon, Regina, Winnipeg and Bremen, Germany. Eli Bornstein, artist, teacher, writer, publisher was born in Milwaukee, Wisconsin in 1922. Starting in the mid-1950s, while teaching art at the University of Saskatchewan, he became one of the leading practitioners of Structurist art, which evolved from his study of the Modernist tradition from Impressionism and Czanne and through to Russian Constructivism, and Mondrian. Although he builds his Structurist reliefs using the abstract language of colour and three-dimensional geometric form, they are dedicated to the study of nature and its biological processes. In 1960 he founded the internationally circulating periodical,The Structurist, published out of the University of Saskatchewan, to which he regularly contributed art historical and theoretical essays.The Structuristran for 50 years (Nos. 150, 19602010), with an anniversary issue (Nos. 51/52, 2019/2020). Over the years he has also completed major commissions for public art located in Saskatoon, Regina, Winnipeg and Bremen, Germany. Eli Bornstein, artist, teacher, writer, publisher was born in Milwaukee, Wisconsin in 1922. Starting in the mid-1950s, while teaching art at the University of Saskatchewan, he became one of the leading practitioners of Structurist art, which evolved from his study of the Modernist tradition from Impressionism and Czanne and through to Russian Constructivism, and Mondrian. Although he builds his Structurist reliefs using the abstract language of colour and three-dimensional geometric form, they are dedicated to the study of nature and its biological processes. In 1960 he founded the internationally circulating periodical,The Structurist, published out of the University of Saskatchewan, to which he regularly contributed art historical and theoretical essays.The Structuristran for 50 years (Nos. 150, 19602010), with an anniversary issue (Nos. 51/52, 2019/2020). Over the years he has also completed major commissions for public art located in Saskatoon, Regina, Winnipeg and Bremen, Germany. Roald Nasgaardis a teacher, writer and curator. He began his career at the University of Guelph and then served as Curator of Contemporary Art and Chief Curator at the Art Gallery of Ontario. He is Professor Emeritus in Art History at Florida State University. The publication ofA Very Sacred Experiencebrings together his long-standing commitments to both abstract art and landscape painting. He is the author of the critically acclaimed book,Abstract Painting in Canada. His major exhibitions and accompanying books includeThe Mystic North: Symbolist Landscape Painting in Northern Europe and North America 18901940; the first Gerhard Richter retrospective in North America;The Automatiste Revolution: Montreal 19411960; andThe Plasticiens and Beyond: Montreal 19551970. More recently he co-curatedMystical Landscapesfor the Art Gallery of Ontario and the Muse dOrsay, andHigher States: Lawren Harris and his American Contemporariesfor the McMichael Canadian Collection. His book on the Montreal artist, Charles Gagnon, and an e-book on Eli Bornstein for the Art Canada Institute are currently in production.