Chus Bures: Portraits and Jewellery
By (Author) Germano Celant
By (author) Antoine D'Agata
By (author) Alberto Garcia-Alix
By (author) Andres Serrano
Ediciones El Viso
Ediciones El Viso
22nd February 2017
Spain
General
Non Fiction
Precious metal, precious stones and jewellery: artworks and design
739.27092
Hardback
208
Width 245mm, Height 290mm
2000g
. This publication reveals the human dimension of Bures' jewels . Contains insights into the practices of jewellery "maverick", whose work is visual and emotional in equal measure Chus Bures creates miracles. Each piece of jewellery that emerges from his workshop boasts a complex genesis, stemming from an intersection between his genius-level thought processes and his maverick lifestyle. From exploring the versatility of buttons, to accentuating the geometric planes of the human body (Infinity Lines, 1990), and using minerals to emulate and exaggerate human features (seen in the striking 'Mae Nam' Collection of 2000), Bures' work is always perplexing, always stimulating, and always innovative. He refuses to be cowed by convention, and delights in challenging his clients and models. The bodily focus of his work makes every piece a startling, and often uncomfortable, insight into humanity. Bures may be a maestro of metal - the gauzy chainmail-esque veils in his Crochet collection, 2000, attest to that. Yet he has mastered the emotional dimensions of his jewellery as well as its physical properties. The relationship between his pieces and the people who collect and cherish them is essential to his artistic praxis. In Chus Bures, Portraits and Jewellery (2016), this is realized through a series of intense portraits by Antoine d'Agata, Alberto Garcia-Alix, and Andres Serrano. These pictures reveal a transgressive melding of jewel and subject: man becomes metal and metal becomes man. Watch ideas take on physical form, and immerse yourself in Bures' world of wearable art. Text in English, French, and Spanish. 73 colour illustrations