Erwin Wurm: Dissolution
By (Author) Christoph Thun-Hohenstein
Edited by Rainald Franz
Edited by Brbel Vischer
Arnoldsche
Arnoldsche
1st February 2022
Germany
General
Non Fiction
Sculpture
730.92
Paperback
64
Width 200mm, Height 250mm
266g
Erwin Wurm, known for his bent cars or the Narrow House at the Venice Biennale (2011), has returned to the personal, small format with his new series.
Gestural sculptures formed in ceramics are the focus of Erwin Wurm: Dissolution. Wurm's anthropomorphic ceramic sculptures, their forms oscillating between the ephemeral and the physical, are characterised by performative gestures. They affirm the inherent plasticity of the material clay, recalling the potency of bozzetti, in which artists from the Renaissance onwards were able to give direct expression to their innermost creative ideas.
In Dissolution (20182020), Wurm sets out in search of a creative process that cannot be completely controlled. 'Dissolution' has connotations of disintegration, decay, decomposition, and vanishing boundaries. The sculptures - with their protruding fingers, hands, lips, mouths, breasts, bellies, noses, and ears - force their way out of a clayey mass.