Mary Kelly

(Paperback)

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Description

This text argues that Mary Kelly's combination of texts with images and found objects has been pivotal, not only to the development of Conceptual Art, but also to 20th-century feminism. Kelly often deploys prevailing literary or scientific genres, ranging from romantic fiction to types of psychoanalytical and medical diagnosis which define women as "other", and overturns them with her own narratives and images. The book is part of a series of studies of important artists of the late-20th century. Each title offers a comprehensive survey of the artist's work, providing analyses and multiple perspectives on contemporary art and its inspiration.

Reviews

"Crucial rememberings of a past that, far from being riddled with nostalgia, allow for an understanding of the diverse possibilities of feminist art in the present." Art Monthly

On the Contemporary Artists Series

"The boldest, best executed, and most far-reaching publishing project devoted to contemporary art. These books will revolutionize the way contemporary art is presented and written about."Artforum

"The combination of intelligent analysis, personal insight, useful facts and plentiful pictures is a superb format invaluable for specialists but also interesting for casual readers, it makes these books a must for the library of anyone who cares about contemporary art."Time Out

"A unique series of informative monographs on individual artists."The Sunday Times

"Gives the reader the impression of a personal encounter with the artists. Apart from the writing which is lucid and illuminating, it is undoubtedly the wealth of lavish illustrations which makes looking at these books a satisfying entertainment."The Art Book

Author Bio

Margaret Iverson is Professor of Art History and Theory at the University of Essex. Based in London, she is the author of a book on the art historian Alois Riegl and of numerous articles on issues such as postmodernism and the feminine.

Douglas Crimp is Professor of Art History the University of Rochester and the author of On the Museum's Ruins (1993). He has also lectured and published widely on the subject of AIDS.

Homi K. Bhabha is Professor of English and American Literature and chair of the Program in History and Literature at Harvard University. He is the author of The Location of Culture (1994), a regular contributor to Artforum, and a member of the editorial board of Critical Inquiry and October.