Painting with Monet
By (Author) Harmon Siegel
Princeton University Press
Princeton University Press
1st September 2024
United States
General
Non Fiction
History of art
The Arts: techniques and principles
759.4
Hardback
312
Width 178mm, Height 254mm
A major reassessment of the methods and meaning of impressionism
At pivotal moments in his career, Claude Monet would go out with a fellow artist, plant his easel beside his friends, and paint the same scene. Painting with Monet closely examines pairs of such works, showing how attention to this practice raises tantalizing new questions about Monets art and impressionism as a movement.
Is impressionist painting an objective attempt to capture reality as it really is Or is it a subjective expression of the artists unique way of perceiving things How can artists create a movement without conformity extinguishing individuality Harmon Siegel reveals how Monet explored problems like these in concrete, practical ways while painting alongside his teachers, Eugne Boudin and Johan Barthold Jongkind, his friends, Frdric Bazille and Pierre-Auguste Renoir, and his hero, Eugne Manet. At a time of major cultural upheavals, these artists asked how we can know reality beyond our personal perception. Siegel provides new insights into the aesthetic, philosophical, and ethical stakes for these painters as they responded to a rapidly changing society.
Beautifully illustrated, Painting with Monet sheds critical light on how Monet and his fellow impressionists, painting side by side, avowed their capacity to know the world and affirmed their conviction in what Siegel calls the reality of others.
Harmon Siegel is a Junior Fellow at the Harvard Society of Fellows. His writing has appeared in publications such as the Art Bulletin, Artforum, and American Art.