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Piranesi. The Complete Etchings

(Hardback, Multilingual edition)


Publishing Details

Full Title:

Piranesi. The Complete Etchings

Contributors:

By (Author) Luigi Ficacci

ISBN:

9783836587617

Publisher:

Taschen GmbH

Imprint:

Taschen GmbH

Publication Date:

22nd November 2022

UK Publication Date:

2nd July 2022

Edition:

Multilingual edition

Country:

Germany

Classifications

Readership:

General

Fiction/Non-fiction:

Non Fiction

Other Subjects:

History of art
Prints and printmaking

Dewey:

767.092

Physical Properties

Physical Format:

Hardback

Number of Pages:

788

Dimensions:

Width 250mm, Height 340mm

Weight:

3795g

Description

The most famous 18th-century copper engraver, Giovanni Battista Piranesi (1720-1778) made his name with etchings of ancient Rome. His startling, chiaroscuro images imbued the city's archaeological ruins with drama and romance and became favorite souvenirs for the Grand Tourists who traveled Italy in pursuit of classical culture and education. Today, Piranesi is renowned not just for shaping the European imagination of Rome, but also for his elaborate series of fanciful prisons, Carceri, which have influenced generations of creatives since, from the Surrealists to Samuel Taylor Coleridge, Edgar Allan Poe, Jorge Luis Borges, and Franz Kafka. Loosely based on contemporary stage sets rather than the actual dingy dungeons of Piranesi's day, these intricate images defy architectural reality to play instead with perspective, lighting, and scale. Staircases exist on two planes simultaneously; vast, vaulted ceilings seem to soar up to the heavens; interior and exterior distinctions collapse. With a low viewpoint and small, fragile figures, the prison scenes become monstrous megacities of incarceration, celebrated to this day as masterworks of existentialist drama.

Reviews

The Eternal City has never looked as poetic as in the hand of Giovanni Battista Piranesi, the greatest printmaker of the 18th century. This new oversize coffee table book unites all his etchings of Rome's crumbling monuments and fantastical gardens. * The New York Times *

Author Bio

Luigi Ficacci studied art history in Rome under Giulio Carlo Argan. For many years, he was curator at the Istituto Nazionale per la Grafica in Rome and lectured at various Italian universities. From 2007 to 2015, he was Bolognas general museum director (Soprintendente ai Beni Culturali); today he is general museum director in Lucca. The focal points of his research work are the issues raised by 17th and 18th century and contemporary Italian and European art.

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