Public Knowledge: Selected Writings by Michael Asher
By (Author) Michael Asher
Edited by Kirsi Peltomki
MIT Press Ltd
MIT Press
15th October 2019
15th October 2019
United States
General
Non Fiction
History of art
700.92
Hardback
264
Width 178mm, Height 229mm, Spine 21mm
Writings by the conceptual artist Michael Asher-including notes, proposals, exhibition statements, and letters to curators and critics-most published here for the first time.The California conceptual artist Michael Asher (1943-2012) was known for rigorous site specificity and pioneering institutional critique. His decades of teaching at CalArts influenced generations of artists. Much of Asher's artistic practice was devoted to creating works that had no lasting material presence and often responded to the material, social, or ideological context of a situation. Because most of Asher's artworks have ceased to exist, his writings about them have special significance. Public Knowledge collects writings by Asher about his work-including preliminary notes and ideas, project proposals, exhibition statements, and letters to curators and critics-most of which have never been previously published. Asher gave few interviews, didn't write art criticism, and rarely published extensive accounts of his own work. Yet writing was central to his artistic practice, serving as a tool for working out ideas, negotiating institutional parameters, and describing thought processes. In these texts, he considers writing and documentation, discusses artistic practice, offers notes for gallery and museum talks, presents artist statements for exhibition-goers, describes individual works and their situational context, and reflects on teaching and art education. Among other things, Asher provides his definition of site specificity, addresses the function of art in public space, and analyzes the intersection of teaching art and institutional models of education. Readers will see an artist at work, formulating ethical and political strategies for making art in a situational world.
Michael Asher was a conceptual artist often associated with site specificity and institutional critique. For many years he taught the famous and influential "Post Studio" class at California Institute of the Arts. Kirsi Peltom ki is Associate Professor of Art History at Oregon State University and the author of Situation Aesthetics- The Work of Michael Asher (MIT Press).