Robert Heinecken and the Art of Appropriation

(Paperback)

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The first comprehensive study of the artist Robert Heinecken and his critical views on the culture of mass media

This is the first book-length study dedicated to the artist Robert Heinecken, whose innovative photographic practices sought to interrogate how mass media imagery facilitated the construction of individual and collective identities. Appropriating, rephotographing, and layering pictures culled from newspapers, advertisements, pornography, and television, Heinecken recombined and transformed the ubiquitous images of mass culture to encourage viewers to critically reflect on their sense of self.

From the 1960s through the late 1990s, Heineckens controversial art continually challenged inherited ideas around consumerism, the facticity of reportage, and visual cultures relationship to gender and identity politics. Embodying the evolution of contemporary art toward increasingly hybrid and conceptual approaches, his oeuvre includes examples of painting, sculpture, photomontage, performance, installation, time-based media, and artists books, all of which collectively exploit photographys reproducibility to subvert societys dominant ideologies and stereotypical modes of representation.

Author Matthew Biro presents an exhaustive look at Heineckens life and art, locating him within a lineage that encompasses the activities of the early twentieth-century avant-gardes and the postmodern strategies of the Pictures Generation artists. Assessing his career within the specific political and historical contexts from which he gleaned his material, and illustrated throughout with vibrant full-color reproductions of his art, this in-depth examination demonstrates Robert Heineckens significance as a key figure of twentieth-century art and an incisive commentator on modern life in America.

Reviews

"With crystalline prose and impressively illustrated throughout, Robert Heinecken and the Art of Appropriation brings long overdue attention to one of the most innovative photographers of the twentieth century. Matthew Biros immaculate research and careful consideration of the different phases of Heineckens practice offer a most welcome recalibration of his many achievements and their reverberations throughout American culture at large."James Nisbet, author of Second Site

"Matthew Biros book provides a thorough critical analysis of an artist who has been neglected for far too long. The inquiry, however, does far more than achieve this already important work of recuperation. By placing Heinecken within his context with such care, both by way of geography and time, Biro uses the artist to rewrite our understanding of American art from the 1920s through the 1990s."Andrs Mario Zervign, author of Photography and Germany

Author Bio

Matthew Biro is professor of modern and contemporary art at the University of Michigan and author of The Dada Cyborg: Visions of the New Human in Weimar Berlin (Minnesota, 2009).