Zin Taylor Lichen Voices/Stripes and Dots
By (Author) Rosemary Heather
By (author) Nicolaus Schafhausen
Sternberg Press
Sternberg Press
29th June 2020
United States
Professional and Scholarly
Paperback
120
Width 152mm, Height 210mm, Spine 15mm
666g
Writing is central to Zin Taylor's practice. Parallel to a number of artist books, Taylor has made a series of sculptural works the artist proposes as a form of storytelling. How else to understand his project The Story of Stripes and Dots but to "read" the eponymous objects he makes to propel it forward Taylor conceives of his sculptural components--stripes and dots in many variations--as words in a sentence, the articulation of which can be ongoing. By substituting objects for words, Taylor seeks not to assert equivalence between the two so much as establish the essentially spatialized perception he has of the way language functions. A striking clarity defines the artist's vision. Taylor sees in language--in art--the highly defined dimensions of a world he can work within.
This catalogue accompanies Taylor's exhibition "The Story of Stripes and Dots (Chapter 5)" at Fogo Island Gallery (September 27, 2013-March 23, 2014), which follows his two-part residency with Fogo Island Arts in 2010 and 2012. Featuring essays by Zo Gray and Saelan Twerdy, and Taylor in conversation with Patrick Staff and Robin Simpson, the book also presents the artist's portfolio An Index Describing the Individual 19 Thoughts about Stripes and Dots Arranged on a Vitrine Made of Brass and Glass.
Copublished with Fogo Island Arts
Contributors
Zo Gray, Robin Simpson, Patrick Staff, Saelan Twerdy
Nicolaus Schafhausen is a curator at the Documentation Center for the History of National Socialism in Munich.