Icon and Devotion: Sacred Spaces in Imperial Russia

(Paperback)

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"Icon and Devotion" presents a historical survey in English of the making and meaning of Russian icons. The craft of icon-making is set into the context of forms of worship that emerged in the Russian Orthodox Church from the mid-17th century on. The text shows how icons have held a special place in Russian consciousness because they represented idealized images of Holy Russia, and also looks closely at a range of issues, from the sacred meanings of icon images to how and why they were made. Wonder-working saints and the leaders of such religious schisms as the Old Believers appear in these pages, which are illustrated with miniture paintings, lithographs and engravings. By tracing the artistic vocabulary, techniques and working methods of icon painters, the text shows how icons have been an integral part of the history of Russian art, influenced by folk and mainstream currents alike. As well as articulating the specifically Russian religious piety they invoke, it analyzes the significance of icons in the cultural life of modern Russia in the context of popular prints and poster design. This text should interest not only specialists in icons and the history of Russian art but also anyone with a general interest in Russian history and culture.

Reviews

. . . richly illustrated, making available much popular iconographic material generally unfamiliar to Western readers . . . a fascinating contribution to the cultural history of Russia. * Times Literary Supplement *
Both the techniques and the meaning of the long history of icons are explored here the core meaning residing, according to Mr Tarasov, in the icons role as idealised image of Holy Russia. Much of the imagery has never been previously published in the English-speaking world. A treasure trove awaits. * Art Newspaper *
. . . invaluable . . . this remarkable book should be required reading for anyone with a desire to understand imperial Russian culture at a more than superficial level. * Slavonica *
Is it possible to explain a people on the basis of its religious art Anyone who has explored the concept of Holy Russia or lidée russe will find an answer to that question in Oleg Tarasovs study of icons and devotion in imperial Russia . . . this book is immensely rewarding and will interest cultural, art, and political historians as well as the general reader. * Renaissance Quarterly *

Author Bio

Oleg Tarasov is Senior Research Fellow in the Department of Cultural History of the Institute of Slavic Studies (Russian Academy of Sciences), Moscow. He is the author of Icon and Devotion (2002) and Framing Russian Art (2011), both published by Reaktion Books.