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Originally published in 1997 by the Continuum International Publishing Group Inc.

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Explains he special effects used to represent storms in the earl modern playhouses, and details how those effects filter into Shakespeare's dramatic language. With chapters on Julius Caesar, King Lear, Macbeth, Pericles and The Tempest -- .

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Explains the special effects used to represent storms in the early modern playhouses, and details how those effects filter into Shakespeare's dramatic language. With chapters on Julius Caesar, King Lear, Macbeth, Pericles and The Tempest -- .

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The author makes use of scripts and scholarship about original stagings of Shakespeare and suggests how those productions related to modern staging.

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A landmark collection of essays by leading scholars, giving a sustained analysis of theatre technologies in early modern England and how they effected the drama of the time.

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A landmark collection of essays by leading scholars, giving a sustained analysis of theatre technologies in early modern England and how they effected the drama of the time.

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Shakespeares tutor: The influence of Thomas Kyd defines Thomas Kyds dramatic canon and indicates where and how Kyd contributed to the development of Shakespeares drama. Groundbreaking in its implications for our understanding of Shakespeares dramatic development, the book aims to revolutionise our understanding of the early modern canon.

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Shakespeare's tutor: The influence of Thomas Kyd defines Thomas Kyd's dramatic canon and indicates where and how Kyd contributed to the development of Shakespeare's drama. Groundbreaking in its implications for our understanding of Shakespeare's dramatic development, the book aims to revolutionise our understanding of the early modern canon.

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It successfully argues that William Shakespeare was the pen name of an aristocrat, and that William Shakespeare of Stratford was a shrewd entrepreneur, not a dramatist.

Price exposes numerous logical fallacies, contradictions, and sins of omission in the traditional accounts of Shakespeare's whereabouts;

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Often set in domestic environments and built around protagonists of more modest status than traditional tragic subjects, 'domestic tragedy' was a genre that flourished on the Renaissance stage from 1580-1620. This title explores the ways in which Shakespeare exploits the conventions of the genre of domestic tragedy in "Othello".

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Shakespeare, memory, and modern Irish literature explores the intertextual connections between early modern English and modern Irish literature. Characterising the relationship as dismemorial, the book explores how ghosts, bodies, and the land are sites of literary connection through which contemporary Ireland draws on Shakespeares England.

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This book provides a comparative analysis of Shakespeare's reception and translation in Japan and Germany. It explicitly compares and contrasts the two, including consideration of their mutual awareness, but also covers issues relating to the international reception and translation of the entire Shakespeare canon.

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The issue has even been debated in a moot court before three justices of the Supreme Court--with an intriguing outcome.

Whalen's book is the first to provide a clear, concise, readable summary for the general reader, one that analyzes the main arguments for both the man from Stratford-on-Avon and the earl of Oxford.

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The issue has even been debated in a moot court before three justices of the Supreme Court--with an intriguing outcome.

Whalen's book is the first to provide a clear, concise, readable summary for the general reader, one that analyzes the main arguments for both the man from Stratford-on-Avon and the earl of Oxford.

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This essential study takes a fresh look at The Winter's Tale, The Tempest, Cymbeline and Pericles. Part I uses carefully selected short extracts for close textual analysis, while Part II examines the contexts and key criticism. The volume is an ideal introductory guide for those who are studying Shakespeare's late plays for the first time.

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This book explores the reasons for the lasting freshness and modernity of Shakespeare's plays, while revising the standard history of English medieval and Renaissance drama. Robert Knapp argues that changes in the authority of English monarchs, in the differentiation and integration of English society, in the realization of human figures on stage,

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