(Paperback)

(Paperback)

This one-woman show attempts to articulate the experience of chronic physicalpain.

(Paperback)

A searing, breathtaking monologue which touches on revolution, unification of Italy and the repulsion of body and mind.

(Hardback)

When Peter Michaels, the forty-two -year old rising star of Boston's architectural world, stumbles upon an old shoebox of mementos from his first love, he is thrown into a tailspin that could cost him his upcoming marriage, his career, and even the love of his life.

(Paperback, 3rd edition)

One of the most popular Elizabethan plays, The Shoemaker's Holiday is one of the earliest examples of `citizen comedy' plays set in London and dealing with the dominant concerns of metropolitan society - class mobility, sexual intrigue and the pursuit of wealth and status.

(Paperback)

Revealing a portrait of Elizabethan London and the interaction of social classes within the city, its social commentary is on the whole optimistic.

(Paperback)

The Shroud Maker is part of @70: Celebration of Contemporary Palestinian Culture, a week-long festival commemorating the Palestinian experience of dispossession and loss of a homeland. This one-woman comedy weaves comic fantasy with satire, and offers a vivid portrait of Palestinian life in Gaza underscored with gallows humour.

(Paperback)

(Paperback)

What happens when a 78 year old woman, who was an escapee from the Warsaw Ghetto, visits Venice Ghetto and meets a group of actors performing "The Merchant of Venice" This play within a play is the starting point for an exploration of "The Merchant of Venice."

(Hardback)

This study reconstructs the history of the Manteo family marionette theater in New York City, provides translations of eight selected plays and 270 extant summaries, and offers comparative analyses uncovering how Agrippino Manteos scripts creatively adapt Italian Renaissance chivalric poems and nineteenth-century prose compilations.

(Paperback)

This study reconstructs the history of the Manteo family marionette theater in New York City, provides translations of eight selected plays and 270 extant summaries, and offers comparative analyses uncovering how Agrippino Manteo's scripts creatively adapt Italian Renaissance chivalric poems and nineteenth-century prose compilations.

(Paperback)

A trio of new plays that give voice to the women of the Arab Spring.

(Paperback)

Everybody wants a piece of Stephanie Schwartz. Her son's demanding nuggets, her boyfriend wants her to wax and her best friend's taking her to a stripping class. Now there's a rapist on Sutton Drive, an obscene caller invading her home and a portal to hell beneath her sofa. How far must she go to make it all stop And how far is too far

(Paperback)

A collection of four one-act comic vaudevilles and four short stories adapted for the stage by Michael Frayn.

(Paperback)

The acclaimed Pelican Shakespeare series, now repackaged in award-winning modern covers to inspire Shakespearians of all ages.

(Paperback)

Commisioned to celebrate the millennium, this epic community drama has been devised to evolve alongside drama workshops for high profile performances in 1999 and 2000.

(Paperback)

Seen from a British perspective, The Spalding Suite gets to the heart and soul of the gravity-defying game of basketball and delves into the hopes and dreams of those who play it. From the fleeting high of the score and the robust camaraderie of the team, to the poignant lows of a body too worn to play the game.

(Hardback)

Mr. Loftis provides the first comprehensive account of the relationship of restoration drama to the Spanish drama of the Golden Age.

(Hardback)

(Paperback)

Adapted for the stage by the author, The Speckled People is a German-Irish memoir of growing up in Dublin during the 1950s. This family drama tells a profoundly moving story of a young boy trapped in a war of identity and language.

(Paperback)

Two plays about cultural identity from Scotland and Catalonia, which received their English-language premires in August 1999 at the Royal Lyceum Theatre as part of the Edinburgh International Festival in Traverse Theatre Company productions

(Paperback)

A lively and ambitious satire in which Ben Jonson takes a stand on various developments in later Jacobean society. It offers a modernised text based on a collation of the 1631-40 folio, together with an introduction and a commentary which sets Jonson's art in its social and intellectual context.

(Paperback)

(Paperback)