(Paperback)

A comprehensive collection of poems. The author is a well known singer and performer on the bush circuit, and has a popular Australia wide radio show.

(Paperback)

This collection of poetry and prose traces the enduring love between mother and daughter through life, loss and everything in between.

(Paperback)

An Old Fart and a Thousand Sentiments takes you on an adventure into the fertile imagination of an Old Fart with an unbridled poetic license. Brace yourself for designed lyrical chaos that covers a wide range of fascinating subjects wrapped in over 25 different poetry styles.

(Paperback)

From the title poem: Ampersand pink as dead shrimp, the unborn curls in its tide pool--seed pearl whose mother lusters over irritant love it's too late to dislodge; little anemone, shrinking from touch. So and holds separate what it most closely binds. Review: "Ms. Greger's poems take place at the point of encounter between the mind and the worl

(Hardback)

(Paperback)

and: A love story within is a self-transformational book written in poetic verse, stories within a story, textured and layered, of Michelle Kaplan's personal journey in the universal search for Truth.

(Hardback)

and: A love story within is a self-transformational book written in poetic verse, stories within a story, textured and layered, of Michelle Kaplan's personal journey in the universal search for Truth.

(Hardback)

Gunter Eich was one of the greatest postwar German poets. This title offers a collection of Eich's eighty poems, in which the ominousness of fairy tales meets the delicacy and suggestiveness of Far Eastern poetry.

(Paperback)

(Paperback)

Now in paperback comes a true literary landmark--one of the most successful serious books of poetry of our era.

(Paperback)

Applesauce for Shortening is just a bunch of small poems the author has put together throughout the years of her life. Some are about the guys she's loved, some about the friends she's lost and others just about the situations she has gone through.

(Paperback)

April vs. Bukowski is a battle as a tribute to one of April's favorite and most influential authors, Charles Bukowski. It is a collection of poems and laments concerning their favorite subjects; love, sex, rejection, subsequent misery, and the human condition.

(Paperback)

"Being an epic account of the capture of the Spanish schooner Amistad, by the Africans on board; their voyage and capture near Long Island, New York; with phrenological studies of several of the surviving Africans."

(Paperback)

Focusing on the fundamental Ariostan pairing of education and madness, with all its implications for poetry, Professor Ascoli generates a global reading of the greatest literary work of the Italian Renaissance Originally published in 1987. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously o

(Hardback)

(Paperback)

In his affectionate and gently humorous verses John O'Brien sang of farming life and of the life of Irish settlers in Australia - at home, on the land, and at the Church upon the Hill that is the centre of their lives.

(Paperback)

(Paperback)

Gigi Mejia's poetry is the echo of her life's experiences. It is intended to encourage and enlighten those with an open heart.

(Paperback)

This book is a man's journey through courtship, marriage, kids, rejection, divorce, and the joy/pain throughout a 19 year relationship expressed in poetic form.

(Paperback)

Offers a collection of poems. This title demonstrates why the San Francisco Chronicle has called the author "a fresh and exciting voice in American poetry."

(Hardback)

(Paperback)

A noted historian of Renaissance English literature and scholar of comparative literature, Rosalie L. Colie was also a serious poet. This volume brings together 31 of her poems, illustrating the striking interplay between her scholarship and her personal response to the world. The title poem and the shorter poems that follow testify to Professor Co

(Paperback)

(Paperback)

Common wisdom has it that when Auden left England for New York in January 1939, he had already written his best poems. He left behind (most critics believe) all the idealisms of the 1930s and all serious concerns to become an unserious poet, a writer of ingenious, agreeable, minor lyrics. Lucy McDiarmid argues that such readers, spoiled by the simp