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Art against censorship traces the centrality of literary and theatrical satire to the artistic and political expression of the artist Honor Daumier. Daumier drew on seventeenth-century theatre and literature in moments of stifling censorship, foregrounding the subversive potential of a newly glorified literary past.

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Art against censorship traces the centrality of literary and theatrical satire to the artistic and political expression of the artist Honor Daumier. Daumier drew on seventeenth-century theatre and literature in moments of stifling censorship, foregrounding the subversive potential of a newly glorified literary past.

(Paperback)

She discusses too the various collaborations and crossovers between art and advertising: the work of artist, director and creative Tony Kaye; adman turned collector Charles Saatchi and the issues of celebrity and branding that surround him; and the endorsement of art by highly branded products such as Absolut Vodka, to show that art.

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This book reveals how companies support the arts and highlights actual dollar amounts, services rendered, preferred artistic events, and the motives for such support. This edited book shows how business philanthropy to the arts evolved and how public relations and marketing strategies are key to understanding the role of business in art.

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Heavily revised version of the author's thesis (2013--Courtauld Institute of Art) under the title: Peredvizhniki, or the Wanderers: the social history of an artists' movement in later nineteenth-century Russia.

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This book is a study of the art of the Kwoma of the Sepik River region of New Guinea and how people in this society understand their art as a cultural phenomenon, including its origins in the spirit world.

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Through the use of case examples and careful examination, this book presents the first interdisciplinary essay collection on the study of art crime, and its effect on all aspects of the art world.

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Art and Design in 1960s New York explores the mutual influence of fine art and graphic design in Manhattan during the long decade of the 1960s.

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This book explores the relationship between art and various disciplines of knowledge from the beginning of the twentieth century to the present day.

(Hardback)

This book explores the relationship between art and various disciplines of knowledge from the beginning of the twentieth century to the present day.

(Paperback)

Takes the neglected role of humour in art. This book looks back to comic masters such as Hogarth and Daumier and to Dada, Surrealism and Pop Art, asking what makes us laugh and why. It explores the use of comedy in art from satire and irony to pun, parody and black and bawdy humour.

(Hardback)

This volume offers responses to the view that migration is disruptive of national heritage. It investigates the empathy and mediation migratory aesthetics provide, re-evaluates the cultural understanding of borders and transnationalism and presents an overview of migration terminology for use by art historians and museums.

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Contemporary art is incresingly concerned with swaying the opinions of its viewier. To do so, the art employs various strategies to convey a political message. This book provides readers with the tools to decode and appreciate political art, a crucial and understudied direction in post-war art.

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Art and Public History: Approaches, Opportunities, and Challenges provides public history practitioners and academics with useful guidance on how art can be integrated into public history initiatives, through critical discussion of tools, strategies, and technologies that contribute to collaboration and engagement across a variety of platforms.

(Hardback)

Art and Public History: Approaches, Opportunities, and Challenges provides public history practitioners and academics with useful guidance on how art can be integrated into public history initiatives, through critical discussion of tools, strategies, and technologies that contribute to collaboration and engagement across a variety of platforms.

(Paperback)

This comparative study of Africa's visual and performing arts concentrates on their geographical, material and gendered diversity, and focuses on the relation of these arts to African religion. The author attempts an understanding of these issues which challenges Western interpretations.