(Paperback)

(Paperback)

Jonas Mekas is one of the driving forces behind New York's alternative film culture from the 1950s through the 1980s This collection of essays, interviews, and photographs addresses such topics as Mekas' column in 'The Village Voice', his foundation and editorship of Film Culture, his role in the establishment of Anthology Film Archives, and more.

(Hardback)

American modern masculinity reviewed through Cruise's career.

(Hardback)

(Paperback, 5th edition)

"New expanded 21st century edition"--Cover.

(Paperback)

Written in a style that is clear, simple, and informal writing style, Davidian artfully mixes the history of counterpoint with an outline of its structure, placing musical examples from J. S. Bach side by side with those from The Beatles to illustrate the universality and currency of counterpoint in music analysis and composition.

(Paperback)

The elegant and unsparingly honest memoir of the romance between jazz titan Charles Mingus and Sue Graham Mingus.

(Hardback)

This is the first book-length study of one of the most prolific producers working in British television, responsible for both Cathy Come Home (1966) and This Life (1996-8). The book discusses the ways in which Garnett has shaped the role of the creative producer, and analyses his contribution to a distinctively televisual social realism.

(Paperback)

Tony Garnett is the first book-length study of one of the most respected producers working in British television, responsible for both Cathy Come Home (1966) and This Life (1996-8). The book discusses the ways in which Garnett has shaped the role of the creative producer, and analyses his contribution to a distinctively televisual social realism.

(Paperback)

Offers a critical introduction to the play, "Angels in America", giving students an overview of the background and context; analysis of the play including its structure, style and characters; and an analysis of key production issues and choices.

(Hardback)

Offers a critical introduction to the play, "Angels in America", giving students an overview of the background and context; analysis of the play including its structure, style and characters; and an analysis of key production issues and choices.

(Hardback)

Issues addressed in each play are analyzed, such as prevailing societal attitudes, including those toward class and gender.

(Hardback)

Film and theatre director Tony Richardson's death in 1991, the publication of his memoirs in 1993, and the posthumous release of his final movie, Blue Sky in 1994 have resulted in the beginning of a critical reevaluation of Richardson's career.

(Hardback)

A sophisticated but accessible account of the series and its place in American cultural history, this book helps readers appreciate the importance of The Sopranos as a cultural touchstone and looks at the show from various cultural perspectives (e.g. ethical, religious, ethnic, etc.).

(Hardback)

Coffee table art book of collaged portraits drawn tenderly, stylishly, and beautifully.

(Hardback)

This book explores the Toronto New Wave, a group of avant-garde filmmakers working in Canada from the 1980s and into the new millennium whose innovative film works share significant affinities with anarchist themes and aesthetics

(Hardback)

(Hardback)

(Paperback)

The author of the award-winning Can't Stop, Won't Stop assembles the most innovative and provocative voices in hip-hop to assess the future of the most important cultural movement of our time

(Hardback)

(Paperback)

(Hardback)

(Hardback)

An attempt to connect the study of film with the actual viewing and consumption practices of mainstream cinematic culture. This book discusses that theory has rendered the majority of approaches to film insular, self-reflective, obtuse, and elitist. It redefines cinema aesthetics in terms of the obsessive consumption of cinematic texts.

(Paperback)

Attempts to connect the study of film with the actual viewing and consumption practices of mainstream cinematic culture. This book argues that theory has rendered the majority of approaches to film insular, self-reflective, obtuse, and elitist.