(Paperback)

(Hardback)

"Explores the relationship between music, memory, and ageing through a focus on "inheritance tracks," with contributions from leading scholars of popular music studies"--

(Paperback)

This book is a substantial and thorough musicological analysis of Turkish folk music. It reproduces in facsimile Bartok's autograph record of eighty seven vocal and instrumental peasant melodies of the Yuruk Tribes, a nomadic people in southern Anatolia. Bartok's introduction includes his annotations of the melodies, texts, and translations and est

(Hardback)

(Hardback)

This volume's 657 entries lists over 6500 song titles and covers the years 1874 to 1988. The discography arranges show titles alphabetically and offers information on record label, musical conductor, lyricist and cast members and goes on to provide television and movie chronologies.

(Hardback)

A thorough information source on 20th century Danish music.

(Hardback)

Twentieth-Century American Music for the Dance: A Bibliography provides a guide to one of the most important areas of modern music.

(Hardback)

Musical performance on brass instruments has blossomed in the 20th century because of technical improvements in horn making, a vastly increased literature, and an astonishing number of outstanding players.

(Hardback)

(Hardback)

An in-depth exploration on how the musical work of Tyler, The Creator is a watershed in American hip-hop culture, especially his early career.

(Hardback)

This is the story of the phenomenally popular, critically acclaimed Irish band from its Dublin beginnings to the present.

(Hardback)

This bio-bibliography is devoted to Ulysses Kay, the prolific American composer, who has produced more than 135 compositions. The volume includes his biography, a chronological listing of his work, a discography to Spring 1994, and an annotated bibliography.

(Hardback)

"A discussion of the topics of curation, geography, and material production in the context of sound studies and the sonic world"--

(Hardback)

The author provides inquiring listeners, able to read musical quotations, with a general understanding of the role of harmony in music. He shows its interconnection with melody, form, style, and the history and psychology of music.

(Hardback, 2nd edition)

(Paperback)

Introducing the reader to the wisdom of Art Blakey's - One of the greatest jazz performers and teachers of all time - teaching through his quotes and reaching into the deepest grotto of the meaning of each one of them.

(Paperback)

"Long before Elvis Presley entered Sam Phillips's Sun Records studio in 1954, rock 'n' roll was being performed and recorded by the likes of Big Joe Turner, Louis Jordan, Wynonie Harris, the Clovers, t"

(Paperback)

Who 'speaks' to us in "The Sorcerer's Apprentice", in Wagner's operas, in a Mahler symphony This title opens nineteenth-century operas and instrumental works to new interpretations as the author explores the voices projected by music.

(Paperback)

The activity of women in American music from the 18th to 21st centuries. It describes hundreds of women composers, instrumentalists, conductors, orchestra and opera managers, music educators, and music patrons.

(Hardback)

New information includes details on recording dates, personnel, vocalists and soloists, sources, playing times, composers, test pressings, studio dialogue, and spoken introductions, together with data on selections made from newly discovered V-Disc recording sessions.

(Hardback)

This survey of choral literature, written by American composers from 1760 through the 1990s, examines nearly 3,000 pieces of choral music written by over 300 composers.

(Paperback)

"Uses the 2006 compilation DJs do Guetto as a central document of Afro-diasporic music in 21st-century Lisbon and as a case study of postcolonial encounters in global popular music"--

(Hardback)

"Uses the 2006 compilation DJs do Guetto as a central document of Afro-diasporic music in 21st-century Lisbon and as a case study of postcolonial encounters in global popular music"--

(Hardback)

Memorializes the singular talent of David McComb through a hauntological examination of contemporary recordings of his lost songs by various singers from Australias independent musical scene.