(Hardback)

Film scholar Mark Browning offers the first detailed analysis of the work of David Fincher, director of the critically acclaimed films Se7en, Fight Club, and The Curious Case of Benjamin Button.

David Fincher is one of the most exciting filmmakers working in Hollywood today.

(Hardback)

Comprehensive overview of the director's body of work which yields new insights on the established classics of Lean's career as well as its lesser-known treasures -- .

(Hardback)

A fresh account of one of the cinemas great technicians, making the case for his value as a deep and richly thematic filmmaker.

(Hardback, 2nd edition)

Twin Peaks, Blue Velvet, Wild at Heart and Eraserhead have turned David Lynch into an American cult figure. This lively book is a uniquely comprehensive account of the only director to have a smash hit TV series in the same year as winning the Golden Palm at Cannes.

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(Hardback)

British-born David Niven began his acting career in 1935, appearing in movie classics that have stood the test of time. Other portions of the book offer information on material written by Niven, his various awards, and an annotated bibliography of works about him.

(Paperback)

The life of Hollywoods number one movie actor, the elusive Robert De Niro, who shuns the limelight and rarely gives interviews, written by the leading film critic and biographer of Spielberg, Kubrick, Woody Allen and George Lucas.

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"Robert Mitchum once commented to Arthur Lyons about his movies of the 1940s and 1950s: "Hell, we didn't know what film noir was in those days. We were just making movies. Cary Grant and all the big st"

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(Hardback)

Disney continues to be one of the dominant forces of popular culture, not only in America, but worldwide. The companys various films have drawn a mix of admiration and disdain. This collection of essays consider how films produced by Disney represent the best and worst the studio has offered over its nine decade history.

(Paperback)

The first substantial study of multilingual film in France. Unpacking the power dynamics at play in the dialogue of eight emblematic films, this book argues that many contemporary French films take a new approach to language and power. -- .

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(Paperback)

This study stresses the sheer diversity of the films which have been brought together under the term "cult movies". It concentrates on the analysis of cult movies, how they are defined, who defines them and the cultural politics of definitions.

(Paperback)

Offers a feminist introduction to Gilles Deleuze's work on cinema that proposes a way of thinking about the cinematic viewing experience by exploring it as a bodily and emotional experience. This book introduces Deleuze and Felix Guattari's concept of the assemblage and uses it to understand the relationship between film and viewer.

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"An examination of Gilles Deleuze's writings on film and film theory and how these writings relate to Max Ophuls's 1955 film, Lola Montes"--

(Paperback)

"An examination of Gilles Deleuze's writings on film and film theory and how these writings relate to Max Ophuls's 1955 film, Lola Montes"--

(Hardback)

"Deleuze and the Gynesis of Horror takes a Deleuzian perspective on motherhood, mothering, and mothers in contemporary horror film, outlining a monstrous philosophy of both embodied film analysis, examining how film changes its viewers, and affirms sexual difference, ultimately offering hope for a twenty-first century, post-human family"--

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(Hardback)

A collection of essays on Deleuze and Cinema, which attempts to define what a schizoanalysis of cinema might be and interrogates a variety of ways in which a schizoanalysis might be applied.

(Paperback)

Offers a collection of essays on Deleuze and Cinema. This book attempts to define what a schizoanalysis of cinema might be and interrogates a variety of ways in which a schizoanalysis might be applied. It features some of the cinema studies scholars working on Deleuze and Guattari.

(Hardback)

Brings Deleuze's writings on cinema into contact with world cinema, drawing on examples ranging from Georges Melies to Michael Mann. This title explores what happens when Deleuze's ideas are brought into contact with the films he did not discuss, those from Europe and the USA (from Georges Melies to Michael Mann) and a range of world cinemas.

(Paperback)

Brings Deleuze's writings on cinema into contact with world cinema, drawing on examples ranging from Georges Melies to Michael Mann. This title explores what happens when Deleuze's ideas are brought into contact with the films he did not discuss, those from Europe and the USA (from Georges Melies to Michael Mann) and a range of world cinemas.

(Hardback)