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A posse of philosophers chases after the most exciting philosophical ideas in Westworld.

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A fascinating analysis of the psychology behind Westworld, the popular HBO TV series.

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A behind-the-scenes look into the creation and legacy of The West Wing as told by cast members Melissa Fitzgerald and Mary McCormack, with compelling insights from cast and crew exploring what made the show what it was and how its impassioned commitment to service has made the series and relationships behind it endure.

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THE NEW YORK TIMES BESTSELLER

These rollicking gabfests bring together nearly everyone who made the series a creative and cultural landmark New York Times

Essential for fans, with a revelation on every page Kirkus

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On the eve of the groundbreaking series' 25th anniversary, this Pop Classics volume examines the cult classic Twin Peaks and its legacy as one of TV's most influential shows.

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This book explores the evolution of Ireland's national television service during its first tumultuous decade addressing how the medium helped undermine the conservative political, cultural and social consensus that dominated Ireland into the 1960s. -- .

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Presents a tale of the life and adventures that inspired the hit TV shows. This work gives insights into the author's "Dad's Army" and his other much loved British comedies including "It Ain't Half Hot", and "Mum and Hi-De-Hi!".

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With reference to television series such as "The Adventures of Sherlock Holmes", "Inspector Morse", and "Midsomer Murders", this title uses adaptation as the basis for an exercise in later twentieth-century cultural history, illustrating the fundamental role detective fictions play in popular beliefs about the nature of crime and Englishness.

(Paperback, NIPPOD)

Offers an examination of how crime and criminality representations within adapted UK detective dramas impact contemporary definitions of Englishness. This title presents a study of the politics of representation in the last decades of the twentieth century, and the role television detective fiction plays in this.

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This volume looks at a range of texts and practices that address race and its relationship with television. It explores television policy and the management of race, how transnationalism can diminish racial diversity, historical questions of representation, the myth of a multicultural England and more. -- .

(Paperback)

This volume looks at a range of texts and practices thataddress race and its relationship with television. It explores televisionpolicy and the management of race, how transnationalism can diminish racialdiversity, historical questions of representation, the myth of a multiculturalEngland and more. -- .

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Part of Praeger's Media and Society Series, this volume breaks new ground in television studies as the first booklength study of an individual television producer.

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A comprehensive look at the history of African Americans on television that discusses major trends in black TV and examines the broader social implications of the relationship between race and popular culture as well as race and representation.

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This book provides an exceptional introduction to Polish theatre since the fall of communism, exploring how theatre goes beyond norms and nationalistic concepts to intersect with politics, feminism, queer identities, the rise in anti-Semitism, ethnicities and history. -- .

(Hardback)

This book provides an exceptional introduction to Polish theatre since the fall of communism, exploring how theatre goes beyond norms and nationalistic concepts to intersect with politics, feminism, queer identities, the rise in anti-Semitism, ethnicities and history. -- .

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The first full-length critical study of Alan Clarke, one of Britain's greatest auteur directors which examines the full range of Clarke's work, and goes beyond the violent image garnered from work like 'Scum' and 'The Firm'. -- .

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Based on firsthand interviews with directly involved sources, as well as on original research, this volume is a commentary on the personalities and the politics of a federal regulatory agency during a period of philosophical upheaval.

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This collection of essays approaches the American Horror Story cult television series through a rich variety of critical perspectives within the broader field of television studies and its transections with other disciplines.

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The never-before-told story of the fascinating 10-year history of America's most popular television show, from a veteran journalist with deep access to the judges, contestants, and crew of "American Idol," revealing the stories readers can't find elsewhere.

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This introduction to television documentaries spotlights their history, production and reception, principal forms and functions and their adaptation to today's programming needs.

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Offers a critical appraisal of the work of screenwriter Andrew Davies ('Pride and Prejudice', 'The Way We Live Now'), and assesses his contribution to British television. -- .