(Hardback)

(Paperback, 2nd edition)

Seventy percent of a conversation is conveyed through body language while only 10 percent is the meaning of the words. Here, an expert RADA trainer shows how to use our body so that it will speak more effectively and how to recognize and lose unwanted physical inhibitions.

(Hardback)

This title is an historical overview and a then-and-now comparison of performing for British television drama. -- .

(Paperback)

This volume aimed at women provides a collection of monologues that can be used by actors in auditions and contests. There are over 50 pieces from the drama of the Greeks and Romans, Elizabethans and Jacobeans, the Restoration and playwrights of the 19th and 20th centuries.

(Paperback)

This volume aimed at men provides a collection of monologues that can be used by actors in auditions and contests. There are over 50 pieces from the drama of the Greeks and Romans, Elizabethans and Jacobeans, the Restoration and playwrights of the 19th and 20th centuries.

(Paperback)

(Hardback)

(Hardback)

(Hardback)

(Paperback)

(Paperback)

It is a book about dying, or, more accurately, about the representation of dying in the theatre. Its chief concern is how actors undertook to translate words and concepts into forms legible and significant to an audience. It deals with the ways in which playwrights wrote about death and attitudes towards death in their cultures. Nevertheless, the emphasis is on the practice of acting.

(Paperback)

Analyzing the relationship between dramatic action and the controversial art of acting, William Worthen demonstrates that what it means to act, to be an actor, and to communicate through acting embodies both an ethics of acting and a poetics of drama. Originally published in 1984. The Princeton Legacy Library uses the latest print-on-demand techn

(Hardback)

(Paperback)

(Hardback)

(Paperback)

(Paperback, Revised edition)

This text presents a collection of 50 audition speeches for men selected from the finest plays from the 1970s to today. They cover a wide range of mood and character, from comedy to tragedy, from youth to old age. Each piece is accompanied by a synopsis setting the extract firmly in context.

(Paperback, Revised - Revised Edition)

This text presents a collection of 50 audition speeches for women selected from the finest plays from the 1970s to today. They cover a wide range of mood and character, from comedy to tragedy, from youth to old age. Each piece is accompanied by a synopsis setting the extract firmly in context.

(Paperback)

This collection of stage monologues brings together a selection from plays by major playwrights produced by British and American theatre Including monologues of all types, it aims to provide a varied, dramatic challenge for any actor: professional, student or amateur.

(Paperback)

A collection of both serious and comic monologues from the last three decades of contemporary playwriting, this title features pieces from Caryl Churchill, Michael Frayn, Martin McDonagh and Sarah Kane. It should be a useful resource for auditions, acting class and rehearsal

(Paperback)

Ranging from Renaissance to contemporary plays, this text brings together a range of pieces varied in subject, tone and style for young actor It provides a resource book for teachers and performers alike, for auditions, acting classes, festivals, examinations or performance.

(Paperback)

This is a selection of speeches for men drawn from the great landmark plays of the 20th century. An appreciation of each speech is enhanced by the editor's introductions and commentaries, which set the plays and individual speeches in their dramatic and performance context

(Paperback)

This is a selection of speeches for women drawn from the great landmark plays of the 20th century. An appreciation of each speech is enhanced by the editor's introductions and commentaries, which set the plays and individual speeches in their dramatic and performance context

(Paperback, Vol 2)

Offers over 50 audition speeches celebrating the outstanding English, American and Continental dramatists of this century. The work of Amouilh, Arden, Baldwin, Barnes, Beckett, Behan, De Filippo, Gorky, Lorca, Mamet, Miller, Pirandello, Sartre and Wedekind is represented in monologues for women.