(Hardback)

Alejandro Cartagena photographs the homes, rivers, ruins, riches and inhabitants of the suburbs of Monterrey, Mexico.

(Paperback)

(Paperback)

A series of personal and historical encounters with surrealism from one of its foremost practitioners in the United States.

(Paperback)

(Paperback)

(Paperback)

(Paperback)

Sydney Long (1871-1955) was Australia's foremost Art Nouveau painter and one of our major symbolist artists. He created haunting scenes of the Australian landscape. His Art Nouveau works are like reveries, an escape from the everyday.

(Paperback)

(Hardback)

The first monograph on American silversmith Earl Krentzin, who created small scale theatrical settings in silver with a wry sense of humour and an appreciation for the absurdity of life.

(Hardback)

The colonisation of the world by European powers led to the production of a wealth of images of the colonised cultures and peoples. Images of North American Indians play an important role in our visual culture. This publication illuminates how they are represented, as well as their political and historico-cultural background.

(Hardback)

A unique art project established 1993 in a refugee camp in South Africa. Text in English and German.

(Hardback, Annotated edition)

Reveals the artistic subjectivity of the scientific notion of depression.

(Paperback)

Reveals the artistic subjectivity of the scientific notion of depression.

(Hardback)

This stunning retrospective of the career of SF/fantasy artist Wayne Barlowe showcases 20 years of his remarkably detailed drawings and meticulous paintings depicting bizarre alien life forms and thrilling, futuristic space ships, weapons, and other fantastic inventions. 70 color photos. 30 line drawings.

(Paperback)

Geology was in vogue in nineteenth-century America. This study of the Hudson River School offers an account of the role of geology in nineteenth-century landscape painting. It yields insights into some of the most influential works of American art and provides an understanding of the relationship between art and nature, and science and religion.

(Paperback)

Presents a study of the architecture of Frank Lloyd Wright, beginning with his work in Oak Park in the late 1880s and culminating in the construction of the Guggenheim museum in New York and the Marin County Civic Center in the 1950s. This book provides an introduction to Wright's remarkable accomplishments.

(Hardback)

"The Art & Times of Daniel Jocz" presents the entrancing work of American jewellery artist and sculptor Daniel Jocz and his surrounding of the Boston jewellery scene of the late 20th century.

(Hardback)

Going beyond a record of his life and art, renowned Chamoun delves into what drives an artist to create. A lavish production featuring 322 colour illustrations of the work of this remarkable artist and teacher.

(Hardback)

Despite being institutionalized for schizophrenia at age thirty-one, Adolf Wolfli (1864-1930) achieved artistic greatness in his cell at Waldau Mental Asylum near his native Bern, Switzerland. This book offers a vantage point on the artist's remarkably intricate drawings and astonishing collages, as well as his translated writings.

(Paperback)

Dora Carrington's association with Lytton Strachey and his Bloomsbury friends has tended to overshadow her own contribution to modern British painting. This book aims to redress the balance by looking at the immense range of her work: portraits, landscapes, glass paintings and letter illustrations.

(Paperback)

(Hardback)

Collects the out-of-this-world concept art, illustrations, paintings and sketches of the immensely talented Fred Gambino. Featuring excerpts from Fred's varied career, as well as his personal multimedia project 'Dark Shepherd', this monograph is suitable for science fiction art fans and budding 3D concept artists.

(Hardback)

Employing minimal color schemes, simple animal characters, and a seemingly endless list of ill-fated situations, Luke Chueh has enjoyed cult acclaim and sell-out shows. This book deals with his work.

(Paperback)

This text presents the Welsh Nonconformist view of art, surveying the use of art in their religion and assessing the influence that Nonconformists had on the visual culture of Wales. The author challenges views that Welsh Nonconformity was responsible for the poor state of art in Wales.