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How one visionary inspired 200 years of art, poetry, and protest. Weaving between the historical, cultural and personal, award-winning author Philip Hoare reveals a web of creative minds and artistic iconoclasts fired with the wild and revolutionary genius of William Blake.

(Hardback)

(Paperback)

The first comprehensive study on the work of visionary painter William Monk

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(Hardback)

Gita Wolf and Sirish Rao, Illustrated by Indrapramit Roy

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A poetic memoir of a Mithila artists's growth into art, where he pays a poignant tribute to the muses that transformed him into an artist.

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A step-by-step guide to creating caricatures!

(Hardback)

Sunny cats, sad cats, grinning cats, bad cats, cats with scowls and cats with jowls ... hand-bound with a silk screened cover, "I Like Cats" features a gallery of irresistible feline characters from some of the best-known tribal and folk artists of India. A delight for cat lovers, art lovers, and artsy cat lovers!

(Hardback)

An exquisite hand-bound and screen-printed book of paintings by three of the finest artists of the Gond tribal art tradition. Limited edition of 1000 copies.

(Hardback)

Hailed as a book that reverses the anthropological gaze, 'The London Jungle Book' is the personal story of Indian tribal artist Bhajju Shyam's first encounter with a western city. Revised & fully updated to mark the 10th anniversary of that momentous journey, Bhajju's rich art and poignant reflections are as relevant today as they ever were.

(Hardback)

Waterlife features Mithila art, a vibrant and delicate form of folk painting from Bihar in eastern India.

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Conceived as an object biography, this book contextualizes Iraqi artist Hanaa Malallah's art book The God Marduk (2008) and investigates her use of the ancient past as a conduit for aesthetic and emotive expression offering an in-depth analysis through the methodology of phenomenology.

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Art and Design in 1960s New York explores the mutual influence of fine art and graphic design in Manhattan during the long decade of the 1960s.

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(Paperback)

This groundbreaking book highlights a generation of women who made art as a way of defining a culture of experimental thought and practice, against the backdrop of the French women's movement or Mouvement de Liberation des Femmes (197081)

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Painters Marie Vassilieff, milie Charmy and Suzanne Valadon explored sexuality and questioned gender identity. Working in early twentieth-century Paris, these women contravened social mores, challenged traditional and avant-garde artistic practices and partook in the making of the modern nude.

(Hardback)

Picturing the Romantic redefines European Romanticism by exploring its transnational connections in the visual arts. This volume, featuring fifteen essays by established and emerging scholars, delves into various Romantic works of art, challenging conventional definitions and highlighting the dynamic exchanges that shaped the artistic movement.

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This book is the definitive study of how skin was debated, understood and misunderstood in Europe between 1500 and 1700. It is based on deep historical research and includes hundreds of colour images from the period.

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Resisting from Morocco's Margins explores the socio-political context in which Ahmed Amrani's oil-on-paper painting Protesta (1969) was made, specifically, the Rif Revolts of the late 1950s.

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Interior design is all about the senses. This volume explores how sight, touch, smell, hearing and taste have been mobilised within various forms of interiors from the late sixteenth century to today. It provides new insight on the significance of the senses in all aspects of interior design and decoration.

(Hardback)

This book provides a critical and comprehensive account of the mediation of rural darkness. Analyzing a wide range of contemporary media, from astrophotography, tourist advertisements and social media to editing software, online databases and nature documentaries, the book focuses on two competing and irreconcilable cultures of rural darkness.

(Hardback)

(Hardback)

In this wide-ranging and authoritative book, the first of its kind in English, Wood tracks the evolution of the historical study of art from the late middle ages through the rise of the modern scholarly discipline of art history.