(Paperback)

Resisting from Morocco's Margins explores the socio-political context in which Ahmed Amrani's oil-on-paper painting Protesta (1969) was made, specifically, the Rif Revolts of the late 1950s.

(Hardback)

Surrealists idealized feminine madness for its purportedly unfettered access to the unconscious. At the same time, an unusually large number of surrealist women artists, including Leonora Carrington and Frida Kahlo, experienced mental illness. Die these women find the dream of feminized, mad genius prohibitive-or productive

(Hardback)

Understanding displacement aesthetics explores how visual culture and art shape and challenge ideas about forced displacement. Bridging cultural and art history with curatorial studies, it offers a new framework for 'displacement aesthetics' and highlights artistic and institutional responses to refugeedom.

(Hardback)

This book establishes novel points of connection between European art and medicine in early modernity, opening up new perspectives on the material, social, and theoretical basis of each discipline.

(Hardback)

(Hardback)

In this wide-ranging and authoritative book, the first of its kind in English, Wood tracks the evolution of the historical study of art from the late middle ages through the rise of the modern scholarly discipline of art history.

(Paperback)

(Paperback)

This unique study tracks the way the Aboriginal art phenomenon has mediated Indigenous on-indigenous relations in Australia. It illuminates the utopian and dystopian currents of thought that have arisen in relation to the art, and the contradictory social and political aspirations to which it has been anchored in public culture.

(Hardback)

(Paperback, Second edition)

Taking into account a wealth of scholarship, this book explores the movement in terms of its political implications and rich cultural contexts.

(Paperback, 1)

(Paperback, Updated Edition)

Originally delivered as the prestigious Mellon Lectures on the Fine Arts in 1995, After the End of Art remains a classic of art criticism and philosophy, and continues to generate heated debate for contending that art ended in the 1960s. Arthur Danto, one of the best-known art critics of his time, presents radical insights into art's irrevocable de

(Paperback)

In closely-read case studies, we encounter artworks by Gian Lorenzo Bernini, Ana Mendieta, Louise Bourgeois, Alina Szapocznikow, Anna Maria Maiolino, Vera Frenkel, Sarah Kofman and Chantal Akerman to explore trauma and bereavement, fatal illness, Holocaust experience, migration, exile and the encounter with political horror and atrocity.

(Paperback)

Presents a short history of artworks at risk of passing unnoticed because they look like trash, or are little more than commonplace objects and fleeting gestures that disappear into the fabric of everyday life -- .

(Paperback)

(Paperback)

Lavishly illustrated with hundreds of full color images, this family-oriented art resource introduces children to more than 50 great artists and their work, with corresponding activities and explorations that inspire artistic development, focused looking, and creative writing.

(Hardback)

Born at the end of the Second World War, Kiefer's career represents a quasi-existential quest to redefine Germanness. This book explores his passion for alchemy, his admiration for great female figures obscured by history, and his relationship with the landscape and nature, a notable topic of his most recent works.

(Paperback)

Art + Archive examines how and why the archive became a hot topic in the artworld at the turn of the twenty-first century. The book connects the artworlds interest in archival terminology to a number of broader historical, technological, academic and philosophical contexts.

(Paperback)

Art and Design in 1960s New York explores the mutual influence of fine art and graphic design in Manhattan during the long decade of the 1960s.

(Paperback)

A millennia of art history condensed into 20 accessible chapters

(Hardback)

(Paperback, Third edition)

An introduction to Andean art and architecture that describes the varied artistic achievements of the Chavin, Paracas, Moche, Nasca, Chimu and Inca cultures, among others. It deals with the discoveries and advances in the field.

(Paperback)

Artemisia Gentileschi, widely regarded as important woman artist before the modern period, was a major Italian Baroque painter of the seventeenth century and the only female follower of Caravaggio. This work shows that her original treatments of mythic-heroic female subjects depart radically from traditional interpretations of the same themes.

(Paperback, 1)